The Sonnets (The New Cambridge Shakespeare)
by Anthony Hecht (Introduction), Gwynne Blakemore Evans (Editor), William Shakespeare (Author), William Shakespeare (Author), Anthony Hecht (Introduction)
-
Used
Paperback
1996
$4.66
This new edition focuses on Shakespeare's Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic, and other groupings. The volume also addresses the many questions that cast a veil of mystery over the genesis of the poems. To what extent are The Sonnets autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were The Sonnets written and in what order? What were the circumstances surrounding their publication? The volume is introduced by the sensitive critical insights of the poet and scholar, Anthony Hecht. The text, following the 1609 quarto, has been edited by Gwynne Blakemore Evans and is followed by his extensive annotation, informed by long acquaintance with Shakespeare's art. The volume as a whole will appeal to a new generation of students and poetry-lovers.
-
Used
Paperback
1969
$3.49
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
-
Used
Hardcover
1995
$3.91
-
New
Paperback
2009
$10.43
This new edition focuses on the Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic and other groupings. Gwynne Evans and Anthony Hecht also address the many questions that cast a veil of mystery over the genesis of the Sonnets: to what extent are they autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were the Sonnets written and in what order? What were the circumstances surrounding their publication?
Synopsis
This new edition focuses on Shakespeare's Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic, and other groupings. The volume also addresses the many questions that cast a veil of mystery over the genesis of the poems. To what extent are The Sonnets autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were The Sonnets written and in what order? What were the circumstances surrounding their publication? The volume is introduced by the sensitive critical insights of the poet and scholar, Anthony Hecht. The text, following the 1609 quarto, has been edited by Gwynne Blakemore Evans and is followed by his extensive annotation, informed by long acquaintance with Shakespeare's art. The volume as a whole will appeal to a new generation of students and poetry-lovers.