Media Reviews
'Is there anything new to be learned about the construction of French national identity in the decades before World War I? Datta's thoroughly engaging book shows that there is by exploring the cult of heroes of the day. This strikingly original study finds that the boulevard theater and mass press offered an eager public, anxious about meeting national challenges, a golden age of heroism ... Carefully reading the evidence not only to uncover France's culture wars but also to detect less frequently noted areas of national cohesion, Datta makes many surprising revelations, not the least of which is how many cracks there were in the defense of gender orthodoxies. The success of the Third Republic in overcoming poisonous hatreds and preparing France for its life and death struggle comes into focus with this important investigation.' Lenard R. Berlanstein, University of Virginia
'Do wounded democracies riven by partisan passions hunger for heroes? France's Third Republic, born of the defeat of 1870-71, did, enshrining a pantheon of great men and women whose qualities - panache, saintliness, grandeur - promised to heal a nation divided. Such is the argument of Venita Datta's engaging new book, and it is a claim that has lost none of its relevance in our own post-9/11 era.' Philip Nord, Princeton University
'Venita Datta's masterful book gets to the heart of the way heroism and historic symbols of French national unity were dramatized in the press and in theaters at the fin de siecle, mitigating, if not healing, the many political and cultural divisions of the era, while preparing the nation for war.' Robert Nye, Oregon State University
'Venita Datta's fascinating, impeccably researched, and beautifully written book makes an important contribution to the fields of history and gender studies. Datta insightfully analyzes constructions of heroism though real-life and fictionalized heroes and legends ... In Datta's deft hands, the theater, melodrama, the press, and literature become politically significant as they build a national identity, but at the same time they reveal cracks in the strictly delineated gender categories and in religious, political, and class unity. This engaging book, like the theatrical and literary performances that Datta acquaints us with, will appeal to a broad and divergent audience.' Rachel G. Fuchs, Arizona State University
'Through a careful analysis of five causes celebres between the 1890s and the First World War, Venita Datta's new book probes the many levels on which the cult of heroism circulated in the French cultural imagination. By revealing a series of tensions and pretensions surrounding the virility of men, the potential of women, and the meaning of Frenchness, Datta shows how conflicting ideas about the hero divided the very nation they aimed to consolidate. This is a fascinating and indispensable contribution to our understanding of culture and politics at the fin de siecle.' Christopher E. Forth, author of The Dreyfus Affair and the Crisis of French Manhood
'With verve and humor, Venita Datta considers the most colorful characters of the French fin-de-siecle stage, among them, Cyrano de Bergerac, Napoleon, and Joan of Arc. Using the lens of gender, she deftly explores how these 'heroes' helped to shape French national identity in a crucial period of transition. In doing so, she reminds us of the enormous historical importance of the theater, its power not only to debate politics but also to unite a nation on the eve of war.' Mary Louise Roberts, University of Wisconsin
'Gender historians and Third Republic specialists will find much of interest in Datta's effort to bring together feminism, the 'crisis of masculinity', and the national politics of the fin de siecle. Chapters of this lucidly written and engaging book might also be of great use in undergraduate classrooms.' Carol E. Harrison, French Politics, Culture and Society
Is there anything new to be learned about the construction of French national identity in the decades before World War I? Datta's thoroughly engaging book shows that there is by exploring the cult of heroes of the day. This strikingly original study finds that the boulevard theater and mass press offered an eager public, anxious about meeting national challenges, a golden age of heroism. A sign of the times was that France's late-nineteenth-century heroes defined themselves more by martyrdom than by conquest. Carefully reading the evidence not only to uncover France's culture wars but also to detect less frequently noted areas of national cohesion, Datta makes many surprising revelations, not the least of which is how many cracks there were in the defense of gender orthodoxies. The success of the Third Republic in overcoming poisonous hatreds and preparing France for its life and death struggle comes into focus with this important investigation. Lenard R. Berlanstein, University of Virginia
Do wounded democracies riven by partisan passions hunger for heroes? France's Third Republic, born of the defeat of 1870-71, did, enshrining a pantheon of great men and women whose qualities - panache, saintliness, grandeur - promised to heal a nation divided. Such is the argument of Venita Datta's engaging new book, and it is a claim that has lost none of its relevance in our own post-9/11 era. Philip Nord, Princeton University
Venita Datta's masterful book gets to the heart of the way heroism and historic symbols of French national unity were dramatized in the press and in theaters at the fin de siecle, mitigating, if not healing, the many political and cultural divisions of the era, while preparing the nation for war. Robert Nye, Oregon State University
Venita Datta's fascinating, impeccably researched, and beautifully written book makes an important contribution to the fields of history and gender studies. Datta insightfully analyzes constructions of heroism though real-life and fictionalized heroes and legends. In Datta's deft hands, the theater, melodrama, the press, and literature become politically significant as they build a national identity, but at the same time they reveal cracks in the strictly delineated gender categories and in religious, political, and class unity. This engaging book, like the theatrical and literary performances that Datta acquaints us with, will appeal to a broad and divergent audience. Rachel G. Fuchs, Arizona State University
Through a careful analysis of five causes celebres between the 1890s and the First World War, Venita Datta's new book probes the many levels on which the cult of heroism circulated in the French cultural imagination. By revealing a series of tensions and pretensions surrounding the virility of men, the potential of women, and the meaning of Frenchness, Datta shows how conflicting ideas about the hero divided the very nation they aimed to consolidate. This is a fascinating and indispensable contribution to our understanding of culture and politics at the fin de siecle. Christopher E. Forth, author of The Dreyfus Affair and the Crisis of French Manhood
With verve and humor, Venita Datta considers the most colorful characters of the French fin-de-siecle stage, among them, Cyrano de Bergerac, Napoleon, and Joan of Arc. Using the lens of gender, she deftly explores how these 'heroes' helped to shape French national identity in a crucial period of transition. In doing so, she reminds us of the enormous historical importance of the theater, its power not only to debate politics but also to unite a nation on the eve of war. Mary Louise Roberts, University of Wisconsin
As the lengthy bibliography attests, many others have written on some of the things Datta discusses, but the book is unique in that she combines these elements to illustrate the French need for heroic figures after 1870 and the role the press and theater played in this development. Included excellent iconography. Highly recommended. Choice
Datta offers a careful, sophisticated reading of fin-de-siecle culture. Heroes and Legends is especially successful in its unpacking of the ambiguous gender identities ascribed to the nation's canonical heroes. Martha Hanna, The Journal of Modern History
Gender historians and Third Republic specialists will find much of interest in Datta's effort to bring together feminism, the 'crisis of masculinity', and the national politics of the fin de siecle. Chapters of this lucidly written and engaging book might also be of great use in undergraduate classrooms. Carol E. Harrison, French Politics, Culture and Society
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