The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. This book analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing.
Format: Paperback
Pages: 280
Publisher: University of California Press
Published: 16 Jan 2015
ISBN 10: 0520279654
ISBN 13: 9780520279650