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David Bowie: Critical Perspectives (Routledge Studies in Popular Music)

David Bowie: Critical Perspectives (Routledge Studies in Popular Music)

by Martin Power (Editor), EoinDevereux (Editor), Aileen Dillane (Editor)

  • New

    Hardcover 2015

    $151.89
Synopsis

David Bowie: Critical Perspectives examines in detail the many layers of one of the most intriguing and influential icons in popular culture. This interdisciplinary book brings together established and emerging scholars from a wide variety of backgrounds, including musicology, sociology, art history, literary theory, philosophy, politics, film studies and media studies. Bowie's complexity as a singer, songwriter, producer, performer, actor and artist demands that any critical engagement with his overall work must be interdisciplinary and wide-ranging in its scope. The chapters are organised around the key themes of `textualities', `psychologies', `orientalisms', `art and agency' and `performing and influencing' in Bowie's work. This comprehensive book contributes a great deal to the study of popular music, performance, gender, religion, popular media and celebrity.

$151.89

Quantity

5 in stock

More Information

Format: Hardcover
 Pages: 272
 Publisher: Routledge
Published: 06 Jan 2015
ISBN 10: 0415745721
ISBN 13: 9780415745727

Media Reviews

An interdisciplinary account of David Bowie's career at its best. This is a refreshing and insightful collection of essays that addresses the phenomenon of an artist who changed the direction of pop music forever. It is crammed with fascinating perspectives that raise the curtain on Bowie's performance antics and sheer force of creativity . - Professor Stan Hawkins, University of Oslo.

'Remarkably interesting' - Andrew Griffin, Red Dirt Report

Author Bio
Eoin Devereux is Senior Lecturer in the Department of Sociology at the University of Limerick, Ireland. He is the author of Understanding the Media (2nd edition, 2007) and editor of Media Studies: Key Issues and Debates (2007). Aileen Dillane is an ethnomusicologist based in the Irish World Academy at the University of Limerick, Ireland. She co-edited Morrissey: Fandom, Representations and Identities (2011) with Eoin Devereux and Martin Power. Her areas of research interest include ethnomusicological theory and practice, popular music and culture studies, performance studies, and urban soundscape studies. Martin Power is Lecturer in the Department of Sociology at the University of Limerick, Ireland. Recent publications include Morrissey: Fandom, Representations and Identities (2011, co-edited with Eoin Devereux and Aileen Dillane) and Marxist Perspectives on Irish Society (2011, co-edited with Micheal O'Flynn, Odette Clarke and Paul M. Hayes).