Photography: A Critical Introduction

by Liz Wells (Editor)

• Used

  Paperback
  2000

  $3.24

  This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing. This completely revised and updated second edition includes: * key concepts, biographies of major thinkers, seminal references * a full glossary of terms, comprehensive bibliographies * resource information, including guides to public archives and useful web sites Individual chapters cover: * Key debates in photographic theory and history * Documentary photography and photojournalism * Personal and popular photography * Photography and commodity culture * Photography and the human body * Photography as art * Photography in the age of electronic imaging There are over 100 photographs and images, of huge diversity. They include images by Bill Brandt, Lee Friedlander, Hannah Hoch, Roshini Kempadoo, Dorothea Lange, Lee Miller, Alexander Rodchenko, Jacob Riis, Sebastio Salgado, Andres Serrano and Jo Spence. Michelle Henning, University of the West of England, Bristol Patricia Holland Lecturer and Film-Maker Martin Lister, University of the West of England, Bristol Derrick Price

• Used

  Paperback
  1996

  $3.24

  This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further and higher education, it provides a coherent introduction to the nature of photographic seeing. Individual chapters cover key debates and theorists; the documentary role of the camera; the popular and personal with particular attention to the family album; advertising and commodity culture; photography as fine art and photography and digital imaging. Designed to direct students of photography to key reading and assist the understanding of key terms, a list of resources which includes archives and galleries and a comprehensive bibliography. It is lavishly illustrated with over 80 illustrations. Among these are key nineteenth-century photographers Camille Silvy and Peter Henry Emerson; documentary photographers Frank Sutcliffe and Dorothea Lange; images from Victorian and family albums; early product advertising form Kodak and contemporary fashion photography from Benetton; computer generated images and a NASA satellite image of earth; images from famous artists such as Alexander Rodchenko, Bill Brandt and Lee Miller.