by PierreSorlin (Author)
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Format: Paperback
Pages: 212
Edition: 1
Publisher: Routledge
Published: 08 Aug 1996
ISBN 10: 0415116988
ISBN 13: 9780415116985