The Monstrous-feminine: Film, Feminism, Psychoanalysis (Popular Fictions Series)

The Monstrous-feminine: Film, Feminism, Psychoanalysis (Popular Fictions Series)

by Barbara Creed (Author)

Synopsis

In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven 'faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

$46.99

Quantity

9 in stock

More Information

Format: Illustrated
Pages: 216
Edition: 1
Publisher: Routledge
Published: 09 Sep 1993

ISBN 10: 0415052599
ISBN 13: 9780415052597

Media Reviews
By reinstating the repressed mother and femme castratice in classic Freudian theory, and by extending Julia Kristeva's discussion of horror and abjection to fresh critical objects, Barbara Creed accessibly and convincingly demonstrates the relevance and productivity of psychoanalytic theory for cultural analysis.
-Annette Kuhn, University of Glasgow
A substantial contribution to knowledge of the horror film . . . the first study to concentrate specifically on the monstrous-feminine.
-E. Ann Kaplan
Witty, succinct, a pleasure to read. The critique of Freudian theory comprises a total re-conceptualization of the status of the feminine within psychoanalytic debate.
-Sneja Gunew