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Used
Paperback
1989
$6.46
A series of outstanding productions by the Royal Shakespeare Company and others have recently demonstrated the theatrical vitality of Shakespeare's plays about the reign of Henry VI. In the Third Part Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also offers more evidence of the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses. Here we watch the savage death of the Duke of York at the hands of Queen Margaret, the moving lament of King Henry as he witnesses the slaughter of the battle of Towton where the Lancastrians were defeated, and finally, Henry's death at the hands of Richard of Gloucester, later King Richard III.
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Used
Paperback
1990
$4.56
Shakespeare's plays about the reign of Henry VI, written at the beginning of his career, were for a long time undervalued. This was because of doubts about their authorship and because of the difficulties involved in determining their theatrical provenance. Recently, however, a series of outstanding productions by the Royal Shakespeare Company and others has demonstrated their theatrical vitality, their conventions have been better understood in the light of new critical methods, and their innovative and sceptical questioning of Elizabethan orthodoxies has been understood in the light of revisionist readings of the history of Shakespeare's own times. This, the first major edition for over twenty-five years, takes account of recent discoveries concerning Shakespeare's early career. The First Part of King Henry VI, which gives us Shakespeare's portrait of Joan of Arc, stands revealed both as a successful venture in its own exploratory style, and as a necessary account of key events in the Hundred Years War without which the Wars of the Roses, anatomised in the following two plays, cannot be understood.
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New
Paperback
1990
$16.09
Shakespeare's plays about the reign of Henry VI, written at the beginning of his career, were for a long time undervalued. This was because of doubts about their authorship and because of the difficulties involved in determining their theatrical provenance. Recently, however, a series of outstanding productions by the Royal Shakespeare Company and others has demonstrated their theatrical vitality, their conventions have been better understood in the light of new critical methods, and their innovative and sceptical questioning of Elizabethan orthodoxies has been understood in the light of revisionist readings of the history of Shakespeare's own times. This, the first major edition for over twenty-five years, takes account of recent discoveries concerning Shakespeare's early career. The First Part of King Henry VI, which gives us Shakespeare's portrait of Joan of Arc, stands revealed both as a successful venture in its own exploratory style, and as a necessary account of key events in the Hundred Years War without which the Wars of the Roses, anatomised in the following two plays, cannot be understood.