Twelfth Night (Arden Shakespeare)
by William Shakespeare (Author), William Shakespeare (Author), T.W. Craik (Editor), J.M. Lothian (Editor)
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Used
Paperback
1989
$3.65
Unique features include an extensive overview of Shakespeare's life, world, and theater by the general editor of Signet Classic Shakespeare series, plus a special introduction to the play by the editor Sylvan Barnet, Tufts University. It also contains dramatic criticism from the past and present, and a special introduction to the play by the editor, Herschel Baker, Harvard University.
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Used
Paperback
1973
$3.49
Part of The New Penguin Shakespeare series, this text looks at Twelfth Night with an introduction, a list of further reading, commentary and a short account of the textual problems of the play. The series is used and recommended by the Royal Shakespeare Company.
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New
Paperback
1995
$7.62
Edited, Introduced and Annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Variously melancholy, lyrical, joyous and farcical, Twelfth Night has long been a popular comedy with Shakespearian audiences. The main plot revolves around mistaken identities and unrequited love. Both Olivia and Orsino are attracted to Viola, who is disguised as a young man; and Viola's brother, Sebastian, finds that he is loved not only by Antonio but also by Olivia. Meanwhile, in the comic sub-plot, Sir Toby Belch and his companions outwit the vain Malvolio, who is ludicrously humiliated. While offering broad comedy, Twelfth Night teasingly probes gender-roles and sexual ambiguities.
Synopsis
Unique features include an extensive overview of Shakespeare's life, world, and theater by the general editor of Signet Classic Shakespeare series, plus a special introduction to the play by the editor Sylvan Barnet, Tufts University. It also contains dramatic criticism from the past and present, and a special introduction to the play by the editor, Herschel Baker, Harvard University.