-
New
Paperback
1999
$19.81
The first stage adaptation of Patricia Highsmith's famous crime novelTom Ripley is a criminal with an ambiguous past. He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris. Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s (Financial Times)
-
Used
Paperback
2000
$4.19
Ripley wanted out. Wanted money, success - the good life. Was willing to kill for it. . . . . He is strugling to stay one step ahead of this creditors when a chance acquaintance offers him a free trip to Europe. When his new-found happiness is threatened, his response is as swift as it is shocking. Soon to be a Miramax film starring Gwyneth Paltrow, Jude Law, Matt Damon and Cate Blanchett; adapted and directed by Anthony Minghella, who won nine Oscars for The English Patient. All the actors are Oscar nominated.
-
New
Paperback
2000
$20.90
The screenplay of Anthony Minghella's new film based on the novel by Patricia Highsmith The complete screenplay of Anthony Minghella's adaptation of Patricia Highsmith's The Talented Mr Ripley starring Gwyneth Paltrow, Matt Damon, Jude Law and Cate Blanchett. Tom Ripley, a small-time con man, arrives in Italy from New York in search of a wealthy young man named Dickie Greenleaf. He has been sent by the young man's wealthy father to bring Dickie back to America. But once in Italy, Ripley becomes so attracted to Greenleaf and his exotic lifestyle in the seaport village of Mongibello that Tom yearns to inhabit Dickie's life and falls tragically in love with him. Dickie's wealth, style and good looks are qualities that Tom begins to covet. The frightening consequences of this attraction and the moral choices raised by the crime of murder lie at the heart of Minghella's absorbing film. Set throughout Italy (Ischia, Palermo, Rome, Tuscany and Venice), Minghella's adaptation brings to life Highsmith's amoral tale of a criminal who gets away with murder. The craft with which [Minghella] has expanded Patricia Highsmith's 1955 classic crime novel has made the film an even richer experience than the gleefully amoral original (Scotsman)