Praise for Case Histories :
Not just the best novel I have read this year but the best mystery of the decade. This is the kind of book you shove in people's faces, saying 'You gotta read this!'
-Stephen King, Entertainment Weekly
To read it is to enter a hall of mirrors. . .Part complex family drama, part mystery, it winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction. . .A wonderfully tricky book.
- New York Times
An astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It's the sort of novel you have to start rereading the minute you've finished it.
- Guardian
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest of literary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections. Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn't really matter in which genre Atkison chooses to write. Her subject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin's Nina Blake novels, in particular, are a sustained comic highlight- but while the tone stays light, the plot continues to darken. . . . [One Good Turn is] that rarest of things- a good literary novel and a cracking holiday read.
- Observer (UK)
Praise for Case Histories :
Not just the best novel I have read this year but the best mystery of the decade. This is the kind of book you shove in people's faces, saying ' You gotta read this!'
- Stephen King, Entertainment Weekly
To read it is to enter a hall of mirrors. . .Part complex familydrama, part mystery, it winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction. . .A wonderfully tricky book.
- New York Times
An astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It's the sort of novel you have to start rereading the minute you've finished it.
- Guardian From the Hardcover edition.
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest of literary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections. Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn't really matter in which genre Atkison chooses to write. Her subject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin's Nina Blake novels, in particular, are a sustained comic highlight-but while the tone stays light, the plot continues to darken. . . . One Good Turn is that rarest of things-a good literary novel and a cracking holiday read.
- Observer (UK)
Praise for Case Histories :
Not just the best novel I have read this year but the best mystery of the decade. This is the kind of book you shove in people's faces, saying 'You gotta read this!'
-Stephen King, Entertainment Weekly
To read it is to enter a hall of mirrors. . .Part complex family drama, part mystery, it winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction. . .A wonderfullytricky book.
- New York Times
An astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It's the sort of novel you have to start rereading the minute you've finished it.
- Guardian From the Hardcover edition.
A NEW YORK TIMES NOTABLE BOOK OF 2006
This is a detective novel packed with more wit, insight, and subtlety than an entire shelf full of literary fiction... the plot is an incidental pleasure in a book crammed with quirky humour and cogent reflections on contemporary life... . Highly recommended reading. -- Marie Claire (5/5 Stars)
Atkinson' s voice rings on every page, and her sly and wry observations move the plot as swiftly as suspense turns the pages of a thriller. San Francisco Chronicle
Atkinson is a restrained, perceptive writer skilled at telling stories from multiple and hugely diverse points of view... Her prose is piercing, lucid and perceptive. USA Today
Acerbic, eccentric, and maddeningly perverse, she is a writer I always read with my heart in my mouth, as if watching a trapeze artist perform a high-wire act between cockiness and courage. Here, as in Case Histories, she is splendid at the stuff of people' s lives... Her observations about Edinburgh are easily as funny as Alexander McCall Smith' s, though less benign. -- The Independent
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest of literary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections.Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn' t really matter in which genre Atkison chooses to write. Her subject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin' s Nina Blake novels, in particular, are a sustained comic highlight- but while the tone stays light, the plot continues to darken. . . . [One Good Turn is] that rarest of things- a good literary novel and a cracking holiday read.
- Observer (UK)
Praise for Case Histories :
Not just the best novel I have read this year but the best mystery of the decade. This is the kind of book you shove in people' s faces, saying ' You gotta read this!'
- Stephen King, Entertainment Weekly
To read it is to enter a hall of mirrors. . .Part complex family drama, part mystery, it winds up having more depth and vividness than ordinary thrillers and more thrills than ordinary fiction. . .A wonderfully tricky book.
- New York Times
An astonishingly complex and moving literary detective story that made me sob but also snort with laughter. It' s the sort of novel you have to start rereading the minute you' ve finished it.
- Guardian From the Hardcover edition.
A NEW YORK TIMES NOTABLE BOOK OF 2006
The suspense ratchets up quickly and palpably, as surely as when the doctor experiments with different settings for your new pacemaker. . . . One Good Turn is full of a zippy satire that provides a smooth skating surface for the reader to whiz through. This is clean, purposeful prose that drives the plot, wickedly funny in places, sometimes quietly insightful and fairly faithful to the traditional mystery form. Atkinson's novel is like something her detective might drink in the wee hours after knocking around the docks, something straight up with a twist. -- The Globe and Mail
One Good Turn is the most fun I've had with a novel this year. -Ian Rankin, in the Guardian (UK)
Thrillingly addictive. . . . In One Good Turn Atkinson proves quite unique in her ability to fuse emotional drama and thriller. She is so successful that it is surprising this has not been attempted more often (although it takes a writer of extraordinary range to bring it off). - The Times (UK)
One Good Turn is an absolute joy to read. . . . The pleasure of One Good Turn lies in the ride, in Atkinson's wry, unvanquished characters, her swooping, savvy, sarcastic prose and authorial joie de vivre. - Guardian (UK)
In One Good Turn, . . . the deft and tricky British author Kate Atkinson shows again, in her inimitable bleakly funny way, how much easier it is to explain a death than to solve a life. - The New York Times Book Review
One Good Turn . . . demonstrates that no good deed goes unpunished, often violently. A fender-bender outside a comedy performance initiates a run of multiple murders, enlivened by comic set pieces. - The Village Voice (A Favourite Book of 2006)
Crackling one-liners, spot-on set pieces and full-blooded characters help make this another absorbing character study from the versatile, effervescent Atkinson. -- Publishers Weekly
[Atkinson has a] knack for psychological portraiture and dark humor... Paradoxically, murder has given her a framework that helps liberate her insights on the living, as the lurking presence of corpses reminds readers there are worse offenses than bad parenting and worse fates than unhappy marriages.... Atkinson knows that the line between victim and tormentor can be blurry and that survivors sometimes have good reasons for guilt.... Astutely, Atkinson has noticed that the high-tech lifestyle has given rise to a high-tech deathstyle that makes the old props of detective fiction -- fingerprints, dusting powder, alibis -- as passe as a fedora. -- The New York Times
Perhaps the most consummately all-round book of the year is Kate Atkinson's One Good Turn, a marvelous thriller so beautifully written you'd stop to admire the prose if you weren't so busy page-turning.... It features a killer most writers would die for, and a plot that touches genius. It's unalloyed pleasure from first to last. -- The Scotsman
In [Atkinson's] skilful hands, the occasionally grisly story that unfolds amid the festivities often has a surprisingly humorous, almost lighthearted spirit.... These characters are complex, being by turns philosophical, cranky, melancholy, bemused, and confused.... Atkinson provides some surprising denouements as she deftly twists the convergent narrative threads into one vivid tapestry. -- Vancouver Sun
This is a detective novel packed with more wit, insight, and subtlety than an entire shelf full of literary fiction... the plot is an incidental pleasure in a book crammed with quirky humour and cogent reflections on contemporary life.... Highly recommended reading. -- Marie Claire (5/5 Stars)
Atkinson's voice rings on every page, and her sly and wry observations move the plot as swiftly as suspense turns the pages of a thriller. San Francisco Chronicle
Atkinson is a restrained, perceptive writer skilled at telling stories from multiple and hugelydiverse points of view... Her prose is piercing, lucid and perceptive. USA Today
Acerbic, eccentric, and maddeningly perverse, she is a writer I always read with my heart in my mouth, as if watching a trapeze artist perform a high-wire act between cockiness and courage. Here, as in Case Histories , she is splendid at the stuff of people's lives... Her observations about Edinburgh are easily as funny as Alexander McCall Smith's, though less benign. -- The Independent
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest of literary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections. Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn't really matter in which genre Atkison chooses to write. Her subject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin's Nina Blake novels, in particular, are a sustained comic highlight-but while the tone stays light, the plot continues to darken. . . . [One Good Turn is] that rarest of things-a good literary novel and a cracking holiday read.
- Observer (UK) From the Hardcover edition.
A NEW YORK TIMES NOTABLE BOOK OF 2006
The suspense ratchets up quickly and palpably, as surely as when the doctor experiments with different settings for your new pacemaker. . . . One Good Turn is full of a zippy satire that provides a smooth skating surface for the reader to whiz through. This is clean, purposeful prose that drives the plot, wickedly funny in places, sometimes quietly insightful and fairly faithful to the traditional mystery form. Atkinson's novel is like something her detective might drink in the wee hours after knocking around the docks, something straight up with a twist. -- The Globe and Mail
One Good Turn is the most fun I've had with a novel this year. -Ian Rankin, in the Guardian (UK)
Thrillingly addictive. . . . In One Good Turn Atkinson proves quite unique in her ability to fuse emotional drama and thriller. She is so successful that it is surprising this has not been attempted more often (although it takes a writer of extraordinary range to bring it off). - The Times (UK)
One Good Turn is an absolute joy to read. . . . The pleasure of One Good Turn lies in the ride, in Atkinson's wry, unvanquished characters, her swooping, savvy, sarcastic prose and authorial joie de vivre. - Guardian (UK)
In One Good Turn, . . . the deft and tricky British author Kate Atkinson shows again, in her inimitable bleakly funny way, how much easier it is to explain a death than to solve a life. - The New York Times Book Review
One Good Turn , . . demonstrates that no good deed goes unpunished, often violently. A fender-bender outside a comedy performance initiates a run of multiple murders, enlivened by comic set pieces. - TheVillage Voice (A Favourite Book of 2006)
Crackling one-liners, spot-on set pieces and full-blooded characters help make this another absorbing character study from the versatile, effervescent Atkinson. -- Publishers Weekly
[Atkinson has a] knack for psychological portraiture and dark humor... Paradoxically, murder has given her a framework that helps liberate her insights on the living, as the lurking presence of corpses reminds readers there are worse offenses than bad parenting and worse fates than unhappy marriages.... Atkinson knows that the line between victim and tormentor can be blurry and that survivors sometimes have good reasons for guilt.... Astutely, Atkinson has noticed that the high-tech lifestyle has given rise to a high-tech deathstyle that makes the old props of detective fiction -- fingerprints, dusting powder, alibis -- as passe as a fedora. -- The New York Times
Perhaps the most consummately all-round book of the year is Kate Atkinson's One Good Turn, a marvelous thriller so beautifully written you'd stop to admire the prose if you weren't so busy page-turning.... It features a killer most writers would die for, and a plot that touches genius. It's unalloyed pleasure from first to last. -- The Scotsman
In [Atkinson's] skilful hands, the occasionally grisly story that unfolds amid the festivities often has a surprisingly humorous, almost lighthearted spirit.... These characters are complex, being by turns philosophical, cranky, melancholy, bemused, and confused.... Atkinson provides some surprising denouements as she deftly twists the convergent narrative threads into one vivid tapestry. -- Vancouver Sun
This is a detective novelpacked with more wit, insight, and subtlety than an entire shelf full of literary fiction... the plot is an incidental pleasure in a book crammed with quirky humour and cogent reflections on contemporary life.... Highly recommended reading. -- Marie Claire (5/5 Stars)
Atkinson's voice rings on every page, and her sly and wry observations move the plot as swiftly as suspense turns the pages of a thriller. San Francisco Chronicle
Atkinson is a restrained, perceptive writer skilled at telling stories from multiple and hugely diverse points of view... Her prose is piercing, lucid and perceptive. USA Today
Acerbic, eccentric, and maddeningly perverse, she is a writer I always read with my heart in my mouth, as if watching a trapeze artist perform a high-wire act between cockiness and courage. Here, as in Case Histories, she is splendid at the stuff of people's lives... Her observations about Edinburgh are easily as funny as Alexander McCall Smith's, though less benign. -- The Independent
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest of literary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections. Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn't really matter in which genre Atkison chooses to write. Hersubject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin's Nina Blake novels, in particular, are a sustained comic highlight-but while the tone stays light, the plot continues to darken. . . . [One Good Turn is] that rarest of things-a good literary novel and a cracking holiday read.
- Observer (UK) From the Hardcover edition.
A NEW YORK TIMES NOTABLE BOOK OF 2006
This is a detective novel packed with more wit, insight, and subtlety than an entire shelf full of literary fiction... the plot is an incidental pleasure in a book crammed with quirky humour and cogent reflections on contemporary life.... Highly recommended reading. -- Marie Claire (5/5 Stars)
[Atkinson] writes like an angel and her sense of humor is wed firmly to her formidable intelligence... a wonderful read.... I remain utterly impressed by Kate Atkinson. I'll definitely be reading anything else she cares to publish. -- Philadelphia Inquirer
The suspense ratchets up quickly and palpably, as surely as when the doctor experiments with different settings for your new pacemaker. . . . One Good Turn is full of a zippy satire that provides a smooth skating surface for the reader to whiz through. This is clean, purposeful prose that drives the plot, wickedly funny in places, sometimes quietly insightful and fairly faithful to the traditional mystery form. Atkinson's novel is like something her detective might drink in the wee hours after knocking around the docks, something straight up with a twist. -- The Globe and Mail
One Good Turn is the most fun I've had with a novel this year. -Ian Rankin, in the Guardian (UK)
Thrillingly addictive. . . . In One Good Turn Atkinson proves quite unique in her ability to fuse emotional drama and thriller. She is so successful that it is surprising this has not been attempted more often (although it takes a writer of extraordinary range to bring it off). - The Times (UK)
One Good Turn is an absolute joy to read. . . . The pleasure of One Good Turn lies in theride, in Atkinson's wry, unvanquished characters, her swooping, savvy, sarcastic prose and authorial joie de vivre. - Guardian (UK)
In One Good Turn, . . . the deft and tricky British author Kate Atkinson shows again, in her inimitable bleakly funny way, how much easier it is to explain a death than to solve a life. - The New York Times Book Review
One Good Turn , . . demonstrates that no good deed goes unpunished, often violently. A fender-bender outside a comedy performance initiates a run of multiple murders, enlivened by comic set pieces. - The Village Voice (A Favourite Book of 2006)
Crackling one-liners, spot-on set pieces and full-blooded characters help make this another absorbing character study from the versatile, effervescent Atkinson. -- Publishers Weekly
[Atkinson has a] knack for psychological portraiture and dark humor... Paradoxically, murder has given her a framework that helps liberate her insights on the living, as the lurking presence of corpses reminds readers there are worse offenses than bad parenting and worse fates than unhappy marriages.... Atkinson knows that the line between victim and tormentor can be blurry and that survivors sometimes have good reasons for guilt.... Astutely, Atkinson has noticed that the high-tech lifestyle has given rise to a high-tech deathstyle that makes the old props of detective fiction -- fingerprints, dusting powder, alibis -- as passe as a fedora. -- The New York Times
Perhaps the most consummately all-round book of the year is Kate Atkinson's One Good Turn, a marvelous thriller so beautifully written you'd stop to admire the prose if you weren't so busy page-turning.... It features a killermost writers would die for, and a plot that touches genius. It's unalloyed pleasure from first to last. -- The Scotsman
In [Atkinson's] skilful hands, the occasionally grisly story that unfolds amid the festivities often has a surprisingly humorous, almost lighthearted spirit.... These characters are complex, being by turns philosophical, cranky, melancholy, bemused, and confused.... Atkinson provides some surprising denouements as she deftly twists the convergent narrative threads into one vivid tapestry. -- Vancouver Sun
This is a detective novel packed with more wit, insight, and subtlety than an entire shelf full of literary fiction... the plot is an incidental pleasure in a book crammed with quirky humour and cogent reflections on contemporary life.... Highly recommended reading. -- Marie Claire (5/5 Stars)
Atkinson's voice rings on every page, and her sly and wry observations move the plot as swiftly as suspense turns the pages of a thriller. San Francisco Chronicle
Atkinson is a restrained, perceptive writer skilled at telling stories from multiple and hugely diverse points of view... Her prose is piercing, lucid and perceptive. USA Today
Acerbic, eccentric, and maddeningly perverse, she is a writer I always read with my heart in my mouth, as if watching a trapeze artist perform a high-wire act between cockiness and courage. Here, as in Case Histories, she is splendid at the stuff of people's lives... Her observations about Edinburgh are easily as funny as Alexander McCall Smith's, though less benign. -- The Independent
Atkinson endows her cast with a fascinating richness of life. . . . Whatever she does is done to the highest ofliterary standards. She has produced an engrossing, enjoyable, complex novel packed with intriguing characters, vividly imagined scenes and a compelling plot.
- Times Literary Supplement (UK)
Atkinson is best at the quiet desperation of middle-aged marriages, and characters revealed by the intricacies of a plot that exploits flashbacks and missed connections. Atkinson, while having fun with the murder-mystery genre, slyly slips us a muted tragedy.
- The Telegraph (UK)
It doesn't really matter in which genre Atkison chooses to write. Her subject is always the irrecoverable loss of love and how best to continue living once you have glumly recognised that. . . . Her gift is in presenting this unnerving and subversive philosophy as a dazzling form of entertainment.
- Sunday Times (UK)
Atkinson is frequently very funny - the extracts from Martin's Nina Blake novels, in particular, are a sustained comic highlight-but while the tone stays light, the plot continues to darken. . . . [One Good Turn is] that rarest of things-a good literary novel and a cracking holiday read.
- Observer (UK) From the Hardcover edition.
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