by Louisa May Alcott (Author)
'Mothers can forgive anything! Tell me all, and be sure that I will never let you go, though the whole world should turn from you.'
It has been ten years since Jo and her husband founded their school for orphans. The first of Jo's boys are now young men, making their way in the world. Nat is a musician, touring Europe and prone to romantic entanglements. Emil is a sailor, surviving shipwreck and disaster. Dan is looking for adventure, but finding only trouble. Through life's highs and lows, they will always be welcomed with open arms at Plumfield, for no matter how many years go by, they will always be Jo's boys.
Also available in Virago Children's Classics are Little Women, Good Wives and Little Men.
Format: Paperback
Pages: 368
Publisher: Virago
Published: 11 Oct 2018
ISBN 10: 0349011850
ISBN 13: 9780349011851
Louisa May Alcott was born in Pennsylvania in 1832. Like the character of Jo March in Little Women, young Louisa didn't conform to the restrictions placed on girls of the period: 'No boy could be my friend till I had beaten him in a race,' she claimed, 'and no girl if she refused to climb trees, leap fences.' And, also like Jo, she was highly imaginative and writing was an early passion.
As her family was often in financial difficulty, Louisa worked from a young age to support her family, taking any position available: a governess, domestic servant, seamstress and teacher were among her jobs. She also wrote poetry and short stories for popular magazines, and melodramatic novels under a pseudonym. When the American Civil War began, Louisa, who fervently opposed slavery, lamented that women weren't able to fight, and volunteered as a nurse at the Union Hospital in Georgetown, Washington. Her nursing career was brief as she contracted typhoid, but she wrote Hospital Sketches, a truthful and poignant account based on letters she wrote home to her family in Concord, and it was published to great acclaim.
In 1868 Louisa was asked by her publisher to write 'a girls' story'. This resulted in Little Women, which is largely based on the experiences of the author and her three sisters. It was a phenomenal success. In a time when children's books were morality tales featuring idealised, two-dimensional protagonists, Little Women was revolutionary, peopled as it was by relatable, flawed, fully realised characters. Its success guaranteed financial stability for Louisa, who continued the March family's story in Good Wives, Little Men and Jo's Boys. Louisa never married, concluding that 'liberty is a better husband than love.' She died in 1888 and is buried in Sleepy Hollow Cemetery in Concord.
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