Feminisms: An Anthology of Literary Theory and Criticism
by Diane Price Herndl (Editor), RobynR.Warhol (Editor), RobynR.Warhol (Editor), Diane Price Herndl (Editor)
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Used
Paperback
1992
$3.27
Feminisms is the first fully comprehensive anthology of feminist literary criticism and theory, including 58 essays by 53 well-known critics. Classic and representative essays from the mid-seventies to 1990 are included, covering a spectrum of views from Marxist, deconstructionist, New Historicist, psychoanalytic, structuralist and other approaches to literature and film. The thirteen sections arrange the essays thematically, focusing on issues central to feminist literary theory.
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Used
Paperback
2006
$5.47
In the landmark 1991 edition of Feminisms, Robyn Warhol and Diane Price Herndl assembled the most comprehensive collection of American and British feminist literary criticism ever to be published. In this revised edition, the editors have updated the volume, in keeping with the expanded parameters of feminist literary discourse. With the inclusion of more than two dozen new essays, along with a major reorganization of the sections in which they appear, Warhol and Price Herndl have again established the measure for representing the latest developments in the field of feminist literary theory. Believing that the feminist movement can only move forward where difference commands attention, not dismissal or negativism, they have continued the original collection's mission of providing a multiplicity of perspectives and approaches.
This anthology contains three new sections ( Conflict, Gaze, and Practice ) and includes more selections by and about women of color and lesbians. Aimed at academics and the general public alike, this collection is an indispensable guide to the range of practice on campus today in the field of feminist literary criticism.
Synopsis
Feminisms is the first fully comprehensive anthology of feminist literary criticism and theory, including 58 essays by 53 well-known critics. Classic and representative essays from the mid-seventies to 1990 are included, covering a spectrum of views from Marxist, deconstructionist, New Historicist, psychoanalytic, structuralist and other approaches to literature and film. The thirteen sections arrange the essays thematically, focusing on issues central to feminist literary theory.