The Devil's Horn: The Story of the Saxophone, from Noisy Novelty to King of Cool

Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. The New York Times Book Review

[A] historical and deeply personal tribute to the saxophone . . . [ The Devil's Horn ] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. Baltimore Sun

Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. The Roanoke Times

An excellent short course on the saxophone in jazz . . . [A] beguiling story. Chicago Sun-Times

[Segell is] adept at spreading the contagion of his own curiosities. The News & Observer

Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. The New York Times Book Review

[A] historical and deeply personal tribute to the saxophone . . . [The Devil's Horn] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. Baltimore Sun

Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. The Roanoke Times

An excellent short course on the saxophone in jazz . . . [A] beguiling story. Chicago Sun-Times

[Segell is] adept at spreading the contagion of his own curiosities. The News & Observer

Would someone please forward Segell the memo that states that books about jazz are supposed to be academic and soporific? . . . [A] freewheeling tribute . . . [with] exuberance that is everywhere to be found. --The New York Times Book Review

[A] historical and deeply personal tribute to the saxophone . . . [The Devil's Horn] will reward and surprise readers who may have thought they knew something about the horn simply because they've spent a lifetime listening. --Baltimore Sun

Segell has produced a minor miracle: a book on jazz that does not rely on largely unrevealing anecdotal tidbits, hip talk, one-upmanship . . . and dazzling (but superfluous) adjectives. . . . It is humorous, enlightening, instructive, and revealing to a degree that it may forever change your attitude toward the sax. --The Roanoke Times

An excellent short course on the saxophone in jazz . . . [A] beguiling story. --Chicago Sun-Times

[Segell is] adept at spreading the contagion of his own curiosities. --The News & Observer

Michael Segell is an amateur percussionist and saxophone player and a professional music lover. He is the author of Standup Guy, and his writing has appeared in numerous publications, including The New York Times, Rolling Stone, Sports Illustrated, and Esquire, where he wrote the popular column The Male Mind. He has received two National Magazine Award nominations for his work. He lives with his wife and children in New York City and Long Eddy, New York.