The Man Who Wrote Mozart: The Many Lives of Lorenzo Da Ponte

The Man Who Wrote Mozart: The Many Lives of Lorenzo Da Ponte

by Anthony Holden (Author)

Synopsis

In June 1805, a 56-year-old Italian immigrant disembarked in Philadelphia carrying only a violin. Before dying in New York 23 years later, in his ninetieth year, he would find New World respectability as a bookseller, then as the first Professor of Italian at Columbia University. For now, he set up shop as a grocer. There was always an air of mystery about the Abbe Lorenzo da Ponte. A scholarly poet, teacher and priest, with a devoted wife, he also had a reputation as a womanizer. Da Ponte charmed all he met, pioneering the place of Italian music in American life. But his self-assurance also excited mistrust. When the first Italian opera was performed in New York in 1825, he had the nerve to claim he had written it. He had, so he said, known Mozart. Not to mention Casanova. Like the memoirs he had recently written, to pay off more debts, the old man was so full of tall stories...The many lives of Lorenzo da Ponte - librettist of Mozart's three great operas, The Marriage of Figaro, Don Giovanni and Cosi Fan Tutte - begin in Venice, linger in Vienna and London and wind up in New York, where today he lies buried in an unmarked grave in the world's largest cemetery. Anthony Holden's marvellous biography does justice at last to Mozart's collaborator.

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More Information

Format: Hardcover
Pages: 256
Edition: 1
Publisher: Weidenfeld & Nicolson
Published: 12 Jan 2006

ISBN 10: 0297850806
ISBN 13: 9780297850809
Book Overview: Published to coincide with the 250th anniversay of Mozart's birth. Anthony Holden's reputation as a biographer and music critic, is well attested, e.g. on Shakespeare; 'scholarly, witty and bold' - Melvyn Bragg

Media Reviews
the writer who evokes Mozart's world most vividly - albeit obliquely - is the journalist and music critic Anthony Holden... Da Ponte's life ... is certainly a rollicking yarn... a riproaring read. -- HUGH CANNING SUNDAY TIMES Holden's narrative verve spans continents and centuries. His life of Da Ponte is engrossing and bound to be definitive. It is a brilliant story. OBSERVER Anthony Holden steers through this incredible picaresque story with elan, well paced gusto and a gentle, if not uncritical, eye... Anthony Holden's book is a fine achievement. THE OLDIE Anthony Holden writes extremely well, teling the racy story energetically... He provides a rattlingly good read, filled with vivid anecdotes. -- NICHOLAS KENYON SPECTATOR It is hard to imagine a more flamboyant personal history, a gift to the biographer Anthony Holden, who relishes his subject's sheer exuberance. GUARDIAN Anthony Holden's... biography, brings assiduous new research to Da Ponte's early and late life and tells his story in journalistic deadpan. -- ROBERT THICKNESSE THE TABLET Anthony Holden's compelling narrative does justice to the man and to the highs and lows of his unusually varied career. WATERSTONE'S BOOKS QUARTERLY Holden's companionable new biography is a refreshing take on an old story. -- ALEXANDER WAUGH MAIL ON SUNDAY entertaining THE HERALD he writes with a sincere enthusiasm about the creative partnership with Mozart. -- JONATHAN KEATES SUNDAY TELEGRAPH The trajectory of Lorenzo Da Ponte's life was remarkable. LONDON REVIEW OF BOOKS This is a tale of a literary adventurer, full of mystery... Holden does his readers a favour by making his subject interesting to an audience beyond opera lovers. SUNDAY BUSINESS POST a genuine pleasure. At turns amusing, poignant and instructive, it engagingly captures the chemistry between librettist and composer that produced those masterpieces of the operatic repetoire. IRISH TIMES Phew! The only problem with this sparkling biography is keeping up with the headlong pace set by what was really an extraordinary life. CLASSIC FM MAGAZINE
Author Bio
Anthony Holden enjoyed an award-winning career at the Sunday Times before becoming a full-time writer and broadcaster 20 years ago. Also known for his translating of opera libretti, he is currently music critic of the Observer.