Mistress Peachum's Pleasure

Mistress Peachum's Pleasure

by Lisa Hilton (Author)

Synopsis

Mistress Peachum was Lavinia Fenton, an eighteenth-century actress who was the original Polly Peachum in John Gay's play The Begger's Opera and became the Duchess of Bolton. Raised in a Charing Cross coffee-house owner, Lavinia nearly fell victim to the ambitions of her mother, who plotted the sale of her virginity to an elderly gentleman for two hundred pounds, but Lavinia was determined to live her life on her own terms. She became an actress, and though she was a newcomer to the stage when she was chosen to star as Polly, her combination of a sweet voice, a pretty face and a knowledge of the seamier side of London life made the role her own. Both Lavinia and the play were overnight sensations, but she enjoyed only a few months of fame before she caught the eye of the Duke of Bolton, a married, indolent and childless aristocrat. The Duke was determined to make her his mistress, and she agreed to elope with him, exchanging the rackety glamour of life as London's most celebrated actress for twenty years of retirement. Lavinia gave the Duke three sons, but when she was left a widow she chose her own way once more, and scandalously threw away their fortunes on her younger lover.Lisa Hilton's ebullient portrait of Lavinia Fenton's aspirational life is also a scintillating depiction of the age. With a cast of politicians and pickpockets, highwaymen and whores, it illuminates the relationship between the theatre and the social and political climate of eighteenth-century London. It also confirms Hilton to be one of our finest writers of narrative history.

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More Information

Format: Hardcover
Pages: 256
Edition: First Edition
Publisher: Orion
Published: 14 Apr 2005

ISBN 10: 0297847686
ISBN 13: 9780297847687
Book Overview: The second book by the acclaimed young author of THE REAL QUEEN OF FRANCE, a biography of Louis XIV's mistress, Athenais de Montespan. For admirers of MRS JORDAN'S PROFESSION and SAMUEL PEPYS by Claire Tomalin. The seventeenth and eighteenth centuries have generated some very popular works of social history in recent years, by Claire Tomalin, Liza Picard, Maureen Waller, and Amanda Foreman.

Media Reviews
'Lisa Hilton has produced a...challenging book...she enfolds the elusiveness of her Duchess within the pleasures and obsessions of her times in such a way that they become indistinguishable from each other...This is a vigorous and invigorating book about a culture in which one side of the street offered the sophistication of coffee-house conversation and the other a rotting corpse swinging from a rope.' -- Frances Wilson THE SUNDAY TELEGRAPH (3.4.05) 'Hilton's style is...positively edible.' -- Alice Fordham OBSERVER (10.4.05) '[a] scintillating read and vivid picture of the age.' SUNDAY EXPRESS (10.4.05) 'Hilton's book is refreshing both in the lightness of its touch and the vividness of its descriptions...This is a portrait of an age, written with gaiety and an irreverence that would have delighted John Gay and his friends.' -- Miranda Seymour SUNDAY TIMES (10.4.05) 'Hilton has a real flair for making believable characters of historical figures and her portrait of the era is a soap opera with an 18th century cast. She has a finely tuned ear for gossip and scandal, and clearly relishes drama of all kinds. A wonderfully rich narrative history - informative, funny, risque and melodramatic.' EASY LIVING (May) 'Mistress Peachum's Pleasure is full of 18th-century colour; pantomimes, prostitutes and plump, truclent castrati; Gay, Pope, Swift and the Licensing Act of 1737.' -- Mary Wakefield DAILY TELEGRAPH 'Hilton...shows sharp wit and a healthy irony: she is splendid on an acting manual's recommendation for the exact angle of the left leg needed to indicate Astonishment and Surprise , and grasps the Duke of Bolton's character as a great aristocratic booby well (the sort who, according to an 18th-century joke, thought that Classics was the county next to Essex). -- Min Wild INDEPENDENT ON SUNDAY (24.4.05) 'Hilton's vivid portrait of the upwardly mobile Lavinia Fenton brilliantly realises the political, social, criminal and theatrical nature of these dazzlingly contradictory times.' HISTORY TODAY (May 2005) 'Lisa Hilton's account of the genesis of The Beggar's Opera is first rate, and her portrayal of the social and political context of early eary eighteenth-century London is vivid and compelling.' -- Paula Byrne TLS (13.5.05) 'Hilton writes in a lively manner, and the facts of this endlessly fascinating period ripple along.' -- Rhoda Koenig INDEPENDENT (7.6.05)
Author Bio
Lisa Hilton is 29 years old. Her first book THE REAL QUEEN OF FRANCE was published in 2002.