The Understructure of Writing for Film and Television

The Understructure of Writing for Film and Television

by Ben Brady (Author), Lance Lee (Author), Lance Lee (Author)

Synopsis

This unique, comprehensive introduction to screenwriting offers practical advice for the beginning writer, whether college student or freelancer. Based on their experience as professional writers and as teachers in a large, successful screenwriting program at California State University, Northridge, the authors provide a progression of assignments at manageable screenwriting lengths for beginners. They lead students through development of a premise, treatment, stepsheet, and, finally, miniscreenplay-essential elements in writing a longer script.

A major feature of the text is the use of many example scenes from contemporary and classic American films, such as On the Waterfront, Kramer vs. Kramer, The Godfather, The Graduate, Tootsie, and more. Other scenes are drawn from international films and dramatic literature. The criticism of these scenes invites students to develop their own comparative models, while simultaneously providing exposure to the central analytical terms of good dramatic writing.

The authors also place screenwriting within the larger tradition of dramatic writing in order to put the beginning writer in touch with the wealth of art, experience, and practical ideas the drama contains. They provide an up-to-date, practical discussion of marketing and copywriting a screenplay, with addresses of relevant professional societies. Most importantly, they never offer an ill-advised shortcut or restrict students to only one way of thinking about a character, situation, or scene. In The Understructure of Writing for Film Television, the student's thought and creativity are central.

$29.62

Quantity

20+ in stock

More Information

Format: Paperback
Pages: 282
Edition: 1
Publisher: University of Texas Press
Published: 01 Jan 1988

ISBN 10: 0292785151
ISBN 13: 9780292785151
Book Overview: [This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation. -- Frank Pierson If any aspiring screenwriters read this bookand they all should I look forward to seeing a good number of well-written films. -- Larry Gelbart I wish this book had been printed when I started as a writer. It would have been a tremendous help. -- Aaron Spelling

Media Reviews
[This] book is written out of first hand experience; the words of an old pro. It sticks to practical reality without smothering the quest for creativity with arbitrary rules; the authors respect the artist as well as the craftsman. I recommend it without reservation. Frank Pierson If any aspiring screenwriters read this book--and they all should-- I look forward to seeing a good number of well-written films. Larry Gelbart I wish this book had been printed when I started as a writer. It would have been a tremendous help. Aaron Spelling
Author Bio
An eminent veteran writer, director, and producer for radio and television, Ben Brady is professor emeritus and founder of the highly successful screenwriting program at California State University, Northridge.