Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers

Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers

by Blain Brown (Author), Blain Brown (Author)

Synopsis

Lavishly produced and illustrated, Cinematography covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography.

Cinematography presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production.
Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the older tried and true methods.

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More Information

Format: Paperback
Pages: 320
Edition: 1
Publisher: Focal Press
Published: 22 Oct 2002

ISBN 10: 0240805003
ISBN 13: 9780240805009
Book Overview: *The definitive guide to cinematography *Up-to-date coverage of technical topics, including High Definition and digital imaging *Full color throughout brings issues of color and light to life

Media Reviews
A gorgeous piece of work that bids to become a classic text on cinematography....Few books on cinematography meld aesthetics and pragmatics as deftly as this one.
American Cinematographer

The gorgeous illustrations bring movies to life, and the modern approach that incorporates digital as well as film means that this book can be used for years to come.
Judy Irola, ASC
Head of Cinematography
USC School of Cinematic Arts

The book is a wonderful, well-organized and knowledgable collection of all information a cinematographer may need. I recommend it highly.
Andrew Laszlo, ASC

This book shows that there is more to the DP than holding the light meter--he needs to understand so much more about using photography to tell a story, create a mood, evoke an emotion. No other text I know of stresses this to this extent.
Douglas C. Hart, First Camera Assistant, Instructor, and Author of The Camera Assistant

Blain Brown has created a masterpiece. Cinematography is the best reference book I have ever seen..the theories and practices revealed here will never go out of date. This is a must have book for anyone claiming to be a cinematographer that hasn't got at least two Academy Awards sitting on their mantle. - Rick Gerard, Creative Cow
Author Bio
Blain Brown was educated at C.W. Post College; M.I.T. and Harvard Graduate School of Design. He began in New York as a commercial still photographer before starting in the film business. After working as a gaffer, be became a cinematographer doing primarily commercials and music videos.After completing his first feature film, he moved to Los Angeles where he has been Director of Photography on 14 feature films as well as national commercials, promotional films, industrials, music videos and documentaries. He has worked in many states in the U.S. as well as Mexico, Canada, India, Italy, France, the Philippines and Jordan.His experience includes 35mm and 16mm projects, as well as 24P High Def, DigiBeta, BetaSP and DV. He has completed projects as a director, editor and screenwriter; with three screenplays produced. He has also taught courses in storytelling and visual communication. As a Director of Photography specializing in features and commercials, he is now based in Los Angeles.His books include A Sense of Place; Motion Picture and Video Lighting and The Filmmaker's Pocket Reference. His work can be seen at www.BlainBrown.com.