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Chromatic Modernity: Color, Cinema, and Media of the 1920s (Film and Culture Series)

Chromatic Modernity: Color, Cinema, and Media of the 1920s (Film and Culture Series)

by Sarah Street (Author)

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    Illustrated 2019

    $93.19
Synopsis

The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor--despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s led the way in creating a chromatically vibrant culture.

Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color's artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L'Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napol on (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.

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More Information

Format: Illustrated
 Pages: 368
 Edition: Illustrated
 Publisher: Columbia University Press
Published: 02 Apr 2019
ISBN 10: 0231179820
ISBN 13: 9780231179829

Media Reviews
This book differs from other studies of film color in its interdisciplinary approach. The authors have gone to great lengths to explore the cultural use of color outside of films and how that influenced and informed technical developments and audience tastes in cinema. I cannot think of a pair more qualified to analyze such overlooked cinema than Street and Yumibe. The convergence of these experts benefits their research and the text they have written. -- James Layton, coauthor of The Dawn of Technicolor, 1915-1935
Arguing against assumptions that intermediality decreases with the formation of the classical Hollywood system, Street and Yumibe assert that the twenties are, in fact, a key decade for cinematic engagement across art forms in the development of this heightened color consciousness.
The focus on the transnational intellectual, aesthetic and industrial cross influences between the United States and Europe and the historical synthesis of a large literature on the color revolution are two significant features of this book. -- Kirsten Moana Thompson, Seattle University
Author Bio
Sarah Street is professor of film at the University of Bristol. She is the author of Colour Films in Britain: The Negotiation of Innovation, 1900-55 (2012) and Deborah Kerr (2018), among other works.

Joshua Yumibe is associate professor and director of the Film Studies Program at Michigan State University. He is the author of Moving Color: Early Film, Mass Culture, Modernism (2012) and coauthor of Fantasia of Color in Early Cinema (2015).