by Freya Jarman - Ivens (Author)
This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.
Format: Hardcover
Pages: 208
Publisher: Palgrave Macmillan
Published: 24 Jun 2011
ISBN 10: 0230105904
ISBN 13: 9780230105904