The Collected Essays and Criticism, Volume 2: Arrogant Purpose, 1945-1949

by Clement Greenberg (Author), Clement Greenberg (Author), John O'Brian (Editor)

New
Illustrated
1988
$36.06

Clement Greenberg (1909-1994), champion of abstract expressionism and modernism--of Pollock, Mir , and Matisse--has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of the new American painting, and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, Avant-Garde and Kitsch set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Synopsis

Clement Greenberg (1909-1994), champion of abstract expressionism and modernism--of Pollock, Mir , and Matisse--has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of the new American painting, and a central figure in the postwar cultural history of the United States.

Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, Avant-Garde and Kitsch set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

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More Information

Format: Illustrated
Pages: 374
Edition: New
Publisher: University of Chicago Press
Published: 01 Feb 1988
ISBN 10: 0226306224
ISBN 13: 9780226306223

Media Reviews

With the publication of the first two volumes of Clement Greenberg's Collected Essays and Criticism, we are at last on our way to having a comprehensive edition of the most important body of art criticism produced by an American writer in this century. The two volumes now available Perceptions and Judgments, 1939-1944 and Arrogant Purpose, 1945-1949 bring together for the first time Mr. Greenberg's critical writings from the decade in which he emerged as the most informed and articulate champion of the New York School as well as one of our most trenchant analysts of the modern cultural scene.--Hilton Kramer The New Criterion

Author Bio

Clement Greenberg (1909 1994), champion of abstract expressionism and modernism of Pollock, Miro, and Matisse has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of the new American painting, and a central figure in the postwar cultural history of the United States. Greenberg first established his reputation writing for the Partisan Review , which he joined as an editor in 1940. He became art critic for The Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, Avant-Garde and Kitsch set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.