Heavy Water and Other Stories

by Martin Amis (Author)

• Used

  Hardcover
  1998

  $4.20

  Martin Amis's short stories make his novels look prim. They are also more frankly satirical. Whole world's are created - or invented. In 'Straight Fiction', everyone is gay (apart from the beleaguered 'straight' community); in'Career Moves', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor on Mars', a sardonic robot gives us some strange news about life in the solar system. Largely absent in the novels, the middle classes get a showing in 'Let Me Count the Times', where a man had a mad affair with himself. 'Heavy Water' portrays the exhaustion of working-class culture; 'State of England' portrays its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler. The earliest story, 'Denton's Death', was first published in 1975, but the bulk of the collection can be firmly labelled 'most recent work'.

• Used

  Paperback
  1999

  $3.25

  In Martin Amis's short stories whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay, apart from the beleaguered 'straight' community; in 'Career Move', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor of Mars', a sardonic robot gives us some strange news about life in the solar system. In 'Let Me Count the Times' a man has a mad affair with himself. 'Heavy Water', portrays the exhaustion of working-class culture, and 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler.

• New

  Paperback
  1999

  $12.23

  In Martin Amis's short stories whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay, apart from the beleaguered 'straight' community; in 'Career Move', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor of Mars', a sardonic robot gives us some strange news about life in the solar system. In 'Let Me Count the Times' a man has a mad affair with himself. 'Heavy Water', portrays the exhaustion of working-class culture, and 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler.