Ideographic Modernism: China, Writing, Media

Ideographic Modernism: China, Writing, Media

by Christopher Bush (Author)

Synopsis

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed Chinese forms, even as traditional representations of the Orient lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.

$33.79

Quantity

10 in stock

More Information

Format: Paperback
Pages: 204
Publisher: Oxford University Press
Published: 07 Aug 2012

ISBN 10: 0199926603
ISBN 13: 9780199926602

Media Reviews
Taking his cue from Gertrude Stein's quip ('In China there is no need of China because in China china is china'), this remarkable book makes us understand why modernism (and also theory) always need China as 'China'-not the projection of an Orientalist discourse, but a trope of otherness as writing. Bush probes with unrivaled depth and subtlety the paradoxes created by a Chinese 'arche-writing' seen as an active exoticism at the core of two centuries of creative mistranslations. * Jean-Michel Rabate, author of Writing the Image After Roland Barthes *
Author Bio
Christopher Bush is Associate Professor of French and Program Director of Comparative Literary Studies at Northwestern University.