The Oxford Companion to Theatre and Performance

The Oxford Companion to Theatre and Performance

by Dennis Kennedy (Editor)

Synopsis

The Oxford Companion to Theatre and Performance is based on the celebrated Oxford Encyclopedia of Theatre and Performance, and covers styles and movements, buildings, organizations, regions and traditions; it has a particularly strong focus on biographies of actors, playwrights, directors, and designers. New entries cover the people and companies who have come into prominence since the publication of the Encyclopedia. The Companion includes all the most popular and accessible information from the Encyclopedia, concentrating primarily on the personalities involved in producing threatre, as well as overviews of the genres within which they work. It has 2,400 entries presented in a far more compact and portable format. The timeline of historical and cultural events in the world of theatre and performance has been significantly updated, along with the extensive bibliography, and an appendix of useful weblinks has been added, which is supported and accessible through a companion website. The Companion provides an informative and accessible package aimed at both the theatre-going public as at specialists and professionals in the field.

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More Information

Format: Hardcover
Pages: 704
Edition: 1
Publisher: OUP Oxford
Published: 26 Aug 2010

ISBN 10: 0199574197
ISBN 13: 9780199574193

Media Reviews
It is an essential resource for those with a serious interest in theatre * Cannock and Rugeley Chronicle *
A must-have. * whatsonstage *
The scope of the book is impressive. ... As a reference book, the Companions give readers a quick briefing on almost any theatrical performancec subject, which will prove to be incredibly useful for academics, students, critics and other practitioners wishing to gaina foretaste of subjects which may lead to more in-depth study elsewhere. * Francisco Costa, Theatre Research International *
Author Bio
Dennis Kennedy is Beckett Professor of Drama Emeritus at Trinity College, Dublin. His books include The Spectator and the Spectacle (CUP, 2009), Looking at Shakespeare: a visual history of twentieth-century performance (CUP, 1993, 2nd edn 2001), Foreign Shakespeare (CUP, 1993), Shakespeare in Asia (CUP, 2010), and Granville Barker and the Dream of Theatre (CUP, 1985). He is also a professional director and playwright. He has held distinguished visiting professorships at the University of California, the Chinese Central Academy of Drama in Beijing, the National University of Singapore, the Salzburg Seminar, McMaster University, the University of Victoria, and the University of Wisconsin, and was Senior Fulbright Lecturer at the University of Karachi in Pakistan.