The New Oxford Book of Victorian Verse (Oxford Books of Prose & Verse)

by Christopher Ricks (Editor)

• Used

  Paperback
  2008

  $3.25

  A great age of poetry speaks for itself in Christopher Ricks's celebrated anthology: the variety and power of Victorian verse, the innovation and creativity with which poets resisted the bad propensities of the era through which they lived. The great figures are of course strongly represented - Tennyson and Browning, Swinburne and Hopkins - but not so as to crowd out the less expected but equally rewarding facets of light verse and nonsense, of grotesque and protest. At long last justice is done to the poignant directness of 'the true voice of feeling', from William Barnes and John Clare, through Emily Jane Bronte and Christina G. Rossetti, to Thomas Hardy.

• Used

  Paperback
  1990

  $3.25

  This anthology displays the variety and power of Victorian verse, and the innovation and creativity with which poets resisted the bad propensities of the era through which they lived. The great figures are strongly represented - Tennyson and Browning, Swinburne and Hopkins - but not so as to crowd out the equally rewarding facets of light verse and nonsense, of grotesquerie and protest. Justice is done to the poignant directness of the true voice of feeling , from William Barnes and John Clare, through Emily Jane Bronte and Christina G. Rossetti, to Thomas Hardy. An unprecedented feature of the anthology is the respect shown to the integrity of the 560 poems: poems are here printed in their entirety, excerpts being made only of those units to which the poet gave a distinct autonomy. Four substantial masterpieces are reproduced in full: Lewis Carroll's The Hunting of the Snark , Edward FitzGerald's Rubiyat of Omar Khayyam , Christina G. Rossetti's Goblin Market and Arthur Hugh Clough's superb verse-novel of love ,society and revolution, Amours de Voyage .

• Used

  Hardcover
  1987

  $4.19

  One of the great ages of poetry speaks for itself in this compendious anthology: the variety and power of Victorian verse, the innovation and creativity with which poets both reflected and resisted the attitudes of their era are keenly demonstrated. The New Oxford Book of Victorian Verse brings out in its introduction by Christopher Ricks, and brings home in its selections that the old pleasure of condescending to Victorian poetry is paltry in comparison with the ever-new pleasures of being delighted, moved, and touched by it. Ricks shows how misguided this narrow and pejorative view of Victorianism has been, affecting our conception of the kind of poetry appropriate to the age. By taking a simple definition of Victorian verse, as that written during the reign of Victoria, he demonstrates what a great variety of poetry and poets the period produced. Dramatic monologue, nonsense verse, light verse, nature poetry, and the poetry of feeling, were all written at this time; and alongside such great figures as Browning, Tennyson, Swinburne and Hopkins, we also find the likes of Thomas Hardy, Emily Bronte, John Clare, Matthew Arnold, William Barnes, Oscar Wilde, and Edward Lear. An unprecedented feature of the anthology is the respect shown to the integrity of the 560 poems: poems are here printed in their entirety, excerpts being made only of those lines to which the poet gave a distinct autonomy. And four substantial masterpieces are reproduced in full: Lewis Carroll's The Hunting of the Snark, Edward Fitzgerald's Rubaiyat of Omar Khayyam, Christina G. Rossetti's Goblin Market, and Arthur Hugh Clough's superb verse-novel of love, society, and revolution, Amours de Voyage.

• New

  Paperback
  2008

  $14.78

  A great age of poetry speaks for itself in Christopher Ricks's celebrated anthology: the variety and power of Victorian verse, the innovation and creativity with which poets resisted the bad propensities of the era through which they lived. The great figures are of course strongly represented - Tennyson and Browning, Swinburne and Hopkins - but not so as to crowd out the less expected but equally rewarding facets of light verse and nonsense, of grotesque and protest. At long last justice is done to the poignant directness of 'the true voice of feeling', from William Barnes and John Clare, through Emily Jane Bronte and Christina G. Rossetti, to Thomas Hardy.