How Novels Work

How Novels Work

by JohnMullan (Author)

Synopsis

Never has contemporary fiction been more widely discussed and passionately analysed; recent years have seen a huge growth in the number of reading groups and in the interest of a non-academic readership in the discussion of how novels work. Drawing on his weekly Guardian column, 'Elements of Fiction', John Mullan examines novels mostly of the last ten years, many of which have become firm favourites with reading groups. He reveals the rich resources of novelistic technique, setting recent fiction alongside classics of the past. Nick Hornby's adoption of a female narrator is compared to Daniel Defoe's; Ian McEwan's use of weather is set against Austen's and Hardy's; Carole Shield's chapter divisions are likened to Fanny Burney's. Each section shows how some basic element of fiction is used. Some topics (like plot, dialogue, or location) will appear familiar to most novel readers; others (metanarrative, prolepsis, amplification) will open readers' eyes to new ways of understanding and appreciating

$60.73

Quantity

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More Information

Format: Hardcover
Pages: 358
Publisher: OUP Oxford
Published: 01 Dec 2006

ISBN 10: 0199281777
ISBN 13: 9780199281770

Media Reviews
Expanding on his popular Guardian column, and focusing on a set of key novels, How Novels Work [mullan] aims to explain to the interested 'non-academic' reader critical approaches, particularly 'matters of form', which are normally considered the perserve of academia...the text is rich in critical and literary-historical insights...critical readings which...[are], above all, communicated in plain English. * Beth Lynch, TLS *
Ever insightful critiques...wholly satisfying, and a great education for book-lovers and would-be novelists alike... Mullan is willing to go where other academics do not usually deign to tread. * Susan Elderkin, The Financial Times *
A wealth of sharp mini-essays. * The Guardian (Review) *
Author Bio
John Mullan is Professor of English at University College London. He is the author of Sentiment and Sociability: The Language of Feeling in the Eighteenth Century (OUP) and co-editor of Eighteenth-Century Popular Culture: An Anthology (OUP). He has edited several works by Daniel Defoe and has written widely on eighteenth-century fiction. A broadcaster and journalist as well as an academic, he writes a weekly column on contemporary fiction for the Guardian.