Marvelous Images: On Values and the Arts

New
Paperback
2008
$29.79

The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been added to several of the reprinted essays.

Synopsis

The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been added to several of the reprinted essays.

$29.79

Quantity

10 in stock

More Information

Format: Paperback
Pages: 272
Edition: Reprint
Publisher: OUP USA
Published: 01 May 2008
ISBN 10: 0195177959
ISBN 13: 9780195177954

Media Reviews

The collection is indeed a joy to read... Each essay gives the tangible impression hearing an outstanding philosopher in direct engagement with the issues... For all the freshness and directness of style, there is an extraordinary level of subtle nuance and fine distinction... It is a principal conclusion of the opening chapter, which gives the collection its title, that a distinctive mark of aesthetic pleasure is the fact we take pleasure, not just in the object itself, but also in our admiration for the object. Just such a pleasure will be occasioned by this admirable volume. Marvelous indeed. * Ian Ground, Philosophy *

Author Bio

Kendall Walton turned to philosophy as an undergraduate at Berkeley, after considering a career in music. He received his PhD from Cornell University in 1967, and has taught at the University of Michigan since then. His extensive writings on aesthetics include the groundbreaking, Mimesis as Make-Believe (1990). He is a fellow of the American Academy of Arts and Sciences and a past president of the American Society for Aesthetics.