The Divine Comedy of Dante Alighieri: Volume 1: Inferno (Divine Comedy of Dante Alighieri Reprint Series): 0001

The Divine Comedy of Dante Alighieri: Volume 1: Inferno (Divine Comedy of Dante Alighieri Reprint Series): 0001

by Dante Alighieri (Author), Dante Alighieri (Author), Dante Alighieri (Author), Robert Turner (Illustrator), Robert M. Durling (Editor)

Synopsis

This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society. A newly edited version of the Italian text can be on facing pages, and this edition includes fully comprehensive notes as well as sixteen essays on special subjects.

$22.87

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More Information

Format: Illustrated
Pages: 672
Edition: Illustrated
Publisher: Oxford University Press, U.S.A.
Published: 06 Mar 1997

ISBN 10: 0195087445
ISBN 13: 9780195087444

Media Reviews

'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.'

-The Christian Science Monitor


'A useful volume for students and first-time visitors to Dante's cosmos.'-

Publishers Weekly


'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.'

-Library Journal


'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.'

-Robert Harrison, Professor of Italian, Stanford University


As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking. --David Young, translator of The Poetry of Petrarch


Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes, ' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term. --Michael Wyatt, author of The Italian Encounter with Tudor England


At the end of his poem Dante claims that his 'high imagining failed of power, ' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment. --Richard Lansing, editor of The Dante Encyclopedia


Author Bio
Robert Durling is Professor Emeritus of Italian and English Literature at the University of California, Santa Cruz. Ronald L. Martinez is Associate Professor of Italian at the University of Minnesota, Twin Cities.