The Oxford Shakespeare: All's Well that Ends Well (Oxford World's Classics)

by WilliamShakespeare (Author), SusanSnyder (Editor)

• Used

  Paperback
  1998

  $3.86

  Usually classifed as a 'problem comedy', All's Well that Ends Well invites a fresh assessment. Its psychologically disturbing presentation of an agressive, designing woman and a reluctant husband wooed by trickery won it little favour in earlier centuries, and both directors and critics have frequently tried to avoid or simplify its uncomfortable elements. More recently, several distinguished productions have revealed it as an exceptionally penetrating study of both personal and social issues. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newly accessible. She explains how the very discords of style can be seen as a source of theatrical power and complexity, and offers a fully reconsidered, helpfully annotated text for both readers and actors.

• Used

  Paperback
  1993

  $3.25

  Like every other play in the Cambridge School Shakespeare series, All's Well That Ends Well has been specially prepared to help all students in schools and colleges. This version aims to be different from other editions of the play. It invites you to bring the play to life in your classroom through enjoyable activities that will help increase your understanding. You are encourage to make up your own mind about the play, rather than have someone else's interpretation handed down to you. Whatever you do, remember that Shakespeare wrote his plays to be acted, watched and enjoyed.

• New

  Paperback
  2004

  $13.85

  For this updated edition of All's Well, Alexander Leggatt has written a wholly new Introduction to one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance informs his introduction and his account of the instability of the main characters. He offers a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and of our experience as an audience of seeing and hearing it performed. An updated reading list completes the edition.