The Woman in White (Oxford World's Classics)

by WilkieCollins (Author), JohnSutherland (Editor)

• Used

  Paperback
  1998

  $4.22

  The Woman in White (1859-60) is the first and greatest 'Sensation Novel'. Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. The novel is dominated by two of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant 'Napoleon of Crime'. A masterwork of intricate construction, The Woman in White sets new standards of suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.

• Used

  Paperback
  1994

  $19.14

  The Woman in White (1860) is a tale of mystery and mistaken identity told by its various characters in turn. From the moment when a lovely young woman suprises Walter Hartright in moonlit north London, Collins keeps the reader in suspense until the entire mesh of secrets is unwoven. In the Moonstone (1868) a fabulous yellow diamond disappears from the Verinders' country house in Yorkshire. Witnesses, suspects, and detectives all take up the story, and their narratives lead toward a melodramtic, unforeseeable conclusion. Valeria Woodville in The Law and the Lady (1875) must unravel the secrets of her husband's earlier life; she takes the law into her own hands and becomes one of the first woman detectives in fiction. Collins's memorable, opinionated characters and his masterful control of pace and plot make thse early thrillers as racy and exciting as any written today.

• New

  Paperback
  2003

  $11.12

  Wilkie Collins' The Woman in White , the first Victorian 'sensation novel' and one of the earliest mystery novels in English, weaves multiple narratives into a thrilling and suspenseful tale of mistaken identity and dark desires. This Penguin Classics edition is edited with notes and an introduction by Matthew Sweet. The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, the 'Napoleon of crime', who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history. Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, The Lighthouse and The Frozen Deep . Of his novels, Collins is best remembered for The Woman in White (1859), No Name (1862), Armadale (1866) and The Moonstone (1868). If you enjoyed The Woman in White , you might like Sir Arthur Conan Doyle's A Study in Scarlet , also available in Penguin Classics .