Concise Oxford Companion to the Theatre (Oxford Reference)

by Phyllis Hartnoll (Editor), Peter Found (Primary Contributor)

• Used

  Paperback
  1993

  $3.24

  Completely revised and up to date, this concise version of the 4th edition of The Oxford Companion to the Theatre is an accessible handbook for the theatre-goer or drama student. In addition to covering all aspects of theatre worldwide, it includes entries on a vast range of theatrical styles, dramatists, performers and directors, as well as information on theatres, festivals and such technical topics as lighting, sound and method acting. Covering the great names of theatre throughout the ages, the editors have brought the dramatis personae up to date with entries on Anthony Hopkins, Helen Mirren and Athol Fugard, as well as providing information on many people, places and companies not previously included in the work.

• Used

  Paperback
  1972

  $3.24

  This concise Companion is an essential reference work for anyone interested in the history of the world's treatre. Based on the original Oxford Companion to the Theatre, Third Edition, this volume is more than an abridgement. Each article has been considered afresh and rewritten, often with the addition of new material. The range is international, with entries on British, American, and European dramatists, actors, directors, designers, and critics as well as theatrical companies and technical stage terms.

• Used

  Hardcover
  1992

  $3.24

  For the new edition of this reference work, the text has been revised both to widen its coverage of the theatre and to bring existing entries up to date. Based on the fourth edition of its parent volume, The Oxford Companion to the Theatre , but also taking in developments since that volume appeared, it seeks to serve as a handbook for the theatre-goer or drama student. The range of the book is international and it contains information on all aspects of the theatre. There are entries on dramatists, from Plautus and Ibsen to Arthur Miller and Christopher Hampton; actors and actresses, from Sarah Bernhardt to Laurence Olivier and Anthony Hopkins; directors, such as Peter Brook, Peter Hall and Mike Nichols; theatres, from Shakespeare's Globe to the Palais-Royal in Paris and the Shubert in New York; and critics, from Kenneth Tynan to Clive Barnes. In addition to theatre styles, whether mime, melodrama, or vaudeville, and theatre festivals, from Oberammergau to the Edinburgh fringe, the book provides details about theatre companies, designers and producers. The more technical aspects of theatre are also dealt with, for example lighting, sound, method acting, and the different parts of a stage, and a system of cross-references guides the reader to other entries containing related information.