Vermeer's Camera: Uncovering the Truth Behind the Masterpieces

Vermeer's Camera: Uncovering the Truth Behind the Masterpieces

by PhilipSteadman (Author)

Synopsis

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photographic camera, which projected an accurate image for artists to trace. However, it is Steadman's meticulous reconstruction of the artist's studio, complete with a camera obscura, which provides exciting new evidence to support the view that Vermeer did indeed use the camera. These findings do not challenge Vermeer's genius but show how, like many artists, he experimented with new technology to develop his style and choice of subject matter. The combination of detailed research and a wide range of contemporary illustrations offers a fascinating glimpse into a time of great scientific and cultural innovation and achievement in Europe.

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More Information

Format: Hardcover
Pages: 232
Edition: First Edition, First Impression
Publisher: Oxford University Press
Published: 01 Apr 2001

ISBN 10: 0192159674
ISBN 13: 9780192159670

Media Reviews
Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself. --Sanford Schwartz, The New York Review of Books


Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself. --Sanford Schwartz, The New York Review of Books

Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself. --Sanford Schwartz, The New York Review of Books


Vivid and impressive.... An experience that is closer to how we absorb the painter's intense, spooky, and perfectionistic work.... It's only in Steadman's presentation that I felt I came close to Vermeer himself. --Sanford Schwartz, The New York Review of Books


Author Bio

Philip Steadman is Professor of Urban and Built Form Studies, University College London.