The Mill on the Floss (Penguin Classics)

by George Eliot (Author), George Eliot (Author), George Eliot (Author), A. S. Byatt (Editor)

• Used

  Paperback
  2003

  $5.99

  Drawing on George Eliot's own childhood experiences to craft an unforgettable story of first love, sibling rivalry and regret, The Mill on the Floss is edited with an introduction and notes by A.S. Byatt, author of Possession, in Penguin Classics. Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother; hunchbacked Tom Wakem, the son of her family's worst enemy; and the charismatic but dangerous Stephen Guest. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving. In this edition, writer and critic A.S. Byatt, author of Possession, provides full explanatory notes and an introduction relating The Mill on the Floss to George Eliot's own life and times. Mary Ann Evans (1819-80) began her literary career as a translator, and later editor, of the Westminster Review. In 1857, she published Scenes of Clerical Life, the first of eight novels she would publish under the name of 'George Eliot', including The Mill on the Floss, Middlemarch, and Daniel Deronda. If you enjoyed The Mill on the Floss, you might like Thomas Hardy's Jude the Obscure, also available in Penguin Classics.

• Used

  Paperback
  1991

  $3.36

• Used

  Hardcover
  1951

  $3.36

• New

  Paperback
  1993

  $7.27

  Introduction and Notes by R.T. Jones, Honorary Fellow of the University of York. This novel, based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.