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The Collected Dorothy Parker (Penguin Modern Classics)

The Collected Dorothy Parker (Penguin Modern Classics)

by Brendan Gill (Introduction), Dorothy Parker (Author), Dorothy Parker (Author), Brendan Gill (Introduction)

  • New

    Paperback 2001

    $14.01

  • Used

    Paperback 1989

    $4.18
Synopsis

Dorothy Parker, more than any of her contemporaries, captured the spirit of her age in her writing. The decadent 1920S and 1930s in New York were a time of great experiment and daring for women. For the rich, life seemed a continual party, but the excesses took their emotional toll. With a biting wit and perceptive insight, Dorothy Parker examines the social mores of her day and exposes the darkness beneath the dazzle. Her own life exemplified this duality, for a while she was one of the most talked-about women of her day, she was also known as a "masochist whose passion for unhappiness knew no bounds". As philosopher Irwin Edman said, she was "a Sappho who could combine a heartbreak with a wisecrack". Her dissection of the jazz age in poetry and prose is collected in this volume along with articles and reviews.

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Quantity

18 in stock

More Information

Format: Paperback
 Pages: 640
 Edition: 1
 Publisher: Penguin Classics
Published: 31 May 2001
ISBN 10: 014118258X
ISBN 13: 9780141182582

Author Bio
Dorothy Parker was born in West End, New Jersey, in 1893 and grew up in New York, attending a Catholic convent school and Miss Dana's School in Morristown, New Jersey. In 1916 she sold some of her poetry to the editor of Vogue, and was subsequently given an editorial position on the magazine, writing captions for fashion photographs and drawings. She then became drama critic of Vanity Fair and the central figure of the celebrated Algonquin Round Table.

Famous for her spoken wit, she showed the same trenchant commentary in her book reviews for The New Yorker and Esquire and in her poems and sketches. Her collection of poems included Not So Deep as a Well and Enough Rope, which became a bestseller; and her collections of stories included Here Lies. She also collaborated with Elmer Rice on a play, Close Harmony and with Arnaud d'Usseau on the play the Ladies of the Corridor. She herself had two Broadway plays written about her and was portrayed as a character in a third. Her cynicism and the concentration of her judgements were famous and she has been closely associated with modern urbane humour.

Her first husband was Edwin Pond Parker II, and although they were divorced some years later, she continued to use his name, which she much preferr