Siddhartha: An Indian Tale (Penguin Twentieth-Century Classics)

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Penguin Drop Caps:

[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering.
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Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections.
--Maria Popova, Brain Pickings

The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte's B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf.
--Rex Bonomelli, The New York Times

Drool-inducing.
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Classic reads in stunning covers--your book club will be dying.
--Redbook

Born in southern Germany in 1877, Hesse came from a family of missionaries, scholars, and writers with strong ties to India. This early exposure to the philosophies and religions of Asia--filtered and interpreted by thinkers thoroughly steeped in the intellectual traditions and currents of modern Europe--provided Hesse with some of the most pervasive elements in his short stories and novels, especially Siddhartha (1922) and Journey to the East (1932).

Hesse concentrated on writing poetry as a young man, but his first successful book was a novel, Peter Camenzind (1904). The income it brought permitted him to settle with his wife in rural Switzerland and write full-time. By the start of World War I in 1914, Hesse had produced several more novels and had begun to write the considerable number of book reviews and articles that made him a strong influence on the literary culture of his time.

During the war, Hesse was actively involved in relief efforts. Depression, criticism for his pacifist views, and a series of personal crises--combined with what he referred to as the war psychosis of his times--led Hesse to undergo psychoanalysis with J. B. Lang, a student of Carl Jung. Out of these years came Demian (1919), a novel whose main character is torn between the orderliness of bourgeois existence and the turbulent and enticing world of sensual experience. This dichotomy is prominent in Hesse's subsequent novels, including Siddhartha (1922), Steppenwolf (1927), and Narcissus and Goldmund (1930). Hesse worked on his magnum opus, The Glass Bead Game (1943), for twelve years. This novel was specifically cited when he was awarded the Nobel Prize for Literature in 1946. Hesse died at his home in Switzerland in 1962.

Calling his life a series of crises and new beginnings, Hesse clearly saw his writing as a direct reflection of his personal development and his protagonists as representing stages in his own evolution. In the 1950s, Hesse described the dominant theme of his work: From Camenzind to Steppenwolf and Josef Knecht [protagonist of The Glass Bead Game], they can all be interpreted as a defense (sometimes also as an SOS) of the personality, of the individual self.

Joachim Neugroschel has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.

Ralph Freedman, Professor Emeritus of Comparative Literature at Princeton University, is acclaimed for his biographies Hermann Hesse: Pilgrim of Crisis, and Life of a Poet: Rainer Maria Rilke