Much Ado About Nothing (The new Penguin Shakespeare)

by William Shakespeare (Author), William Shakespeare (Author), R. A. Foakes (Author)

• Used

  Paperback
  1968

  $3.42

  Set in a courtly world of masked revels and dances, this play turns on the archetypal story if a lady falsely accused of unfaithfulness, spurned by her bridegroom, and finally vindicated and reunited with him. Villainy, schemes, and deceit threatens to darken the brilliant humor and sparkling wordplay--but the hilarious counterplot of a warring couple, Beatrice and Benedick, steals the scene as the two are finally tricked into admitting their love for each other in Shakespeare's superb comedy of manners.

• Used

  Paperback
  2005

  $3.28

  This edition of Much Ado About Nothing is part of the groundbreaking Cambridge School Shakespeare series established by Rex Gibson. Remaining faithful to the series' active approach it treats the play as a script to be acted, explored and enjoyed. As well as the complete script of the play, you will find a variety of classroom-tested activities, an eight-page colour section and a selection of notes including information on characters, performance, history and language.

• Used

  Hardcover
  1979

  $3.47

  The Players' Shakespeare series presents hardback editions of Shakespeare's plays for use in schools. The text is supported by detailed notes and is suitable for GCSE and A level.

• New

  Paperback
  1995

  $6.77

  Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character. Numerous revivals, in the theatre and on screen, have displayed the lively variety and interpretative openness of this engaging comedy.