-
New
Illustrated
1998
$12.93
When Elfrise Swanston meets Stephen Smith she is attracted to his handsome face, gentle bearing and the sense of mystery which surrounds him. Although distressed to find that the mystery consists only in the humbleness of his origins, she remains true to their youthful vows. But societal pressures, and the advent of the superior Henry Knight, eventually displace her affections. Knight, however, proves to be an uncompromising moralist who, obsessed with fears about Elfride's sexual past, destroys her happiness. Writing of the struggle between classes and sexes, Hardy drew heavily on his own relationships, and in the introduction, Pamela Dalziel discovers fascinating parallels between Hardy's life and his art.
-
Used
Paperback
1975
$20.39
-
Used
Hardcover
1990
$12.22
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1874 edition. Excerpt: ...Elfride. Woman's ruling passion--to fascinate and influence those more powerful than she--though operant in Elfride, was decidedly purposeless. She had wanted her friend Knight's good opinion from the first: how much more than that elementary ingredient of friendship she now desired, her fears would hardly allow her to think. In originally wishing to please the highest class of man she had ever intimately known, there was no disloyalty to Stephen Smith. She could not--and few women can--realize the possible vastness of an issue which has only an insignificant cause. Her letters from Stephen were necessarily few, and her sense of fidelity clung to the last she had received as a wrecked mariner clings to flotsam. The young girl persuaded herself that she was glad Stephen had such a right to her hand as he had acquired (in her eyes) by the elopement. She beguiled herself by saying, Perhaps if had not so committed myself I might fall in love with Mr. Knight. All this made the week of Knight's absence very gloomy and distasteful to her. She had retained Stephen in her prayers, and his old letters were re-read--as a medicine in reality, though she deceived herself into the belief that it was as a pleasure. These letters had grown more and more hopeful. He told her that he finished work every day with a pleasant consciousness of having removed one more stone from the barrier which divided them. Then he drew images of what a fine figure they two would cut some day. People would turn their heads and say, What a prize he has won. She was not to be sad about that wild runaway attempt of theirs (Elfride had repeatedly said that it grieved her). Whatever any other person who knew of it might think, he knew well enough the modesty of her nature. The only...
-
New
Paperback
1995
$7.26
With a new Introduction by Cedric Watts, Research Professor of English, University of Sussex. A Pair of Blue Eyes, though early in the sequence of Hardy's novels, is lively and gripping. Its dramatic cliff-hanging episode, for example, is at once tense, ironic, feministic and erotic. With settings in Wessex and London, the novel also has some strongly autobiographical features, as the blue-eyed heroine, Elfride Swancourt, is based largely on Emma Gifford, who became Thomas Hardy's first wife. Elfride's vivacious nature attracts several lovers, but she is beset by sexual prejudice, and the ensuing ironies reveal the constraints of her times. A Pair of Blue Eyes provides an engaging and moving experience for today's readers.