The Lifted Veil & Brother Jacob (Penguin Classics S.)

by George Eliot (Author), George Eliot (Author), Sally Shuttleworth (Editor), George Eliot (Author)

• Used

  Paperback
  2001

  $13.97

  Latimer, the narrator of The Lifted Veil, possesses an uncanny ability to see into the minds of others and to divine the future, including the moment of his own death. The gift of being able to read the private thoughts and emotions of his fellow men soon becomes a curse to Latimer, for he is horrified by what he discovers. Afflicted by his burden of knowledge, he is driven to marry the cold-hearted coquette Bertha - the only person whose mind seems closed to him, until it is too late. This volume also includes George Eliot's only other short fictional work; the satirical fable Brother Jacob, in which the mercenary schemes of a devious confectioner are unconsciously thwarted by the childlike innocence of his 'idiot' brother.

• Used

  Paperback
  1999

  $5.69

  'She had believed that my wild poet's passion for her would make me her slave; and that, being her slave, I should execute her will in all things.' The Lifted Veil was first published in Blackwood's Magazine in 1859. A dark fantasy woven from contemporary scientific interest in the physiology of the brain, mesmerism, phrenology and experiments in revification it is Eliot's anatomy of her own moral philsophy - the ideal of imaginative sympathy or the ability to see into others' minds and emotions. Narrated by an egoccentric, morbid young clairvoyant man whose fascination for Bertha Grant lies partly in her obliquity, the story also explores fiction's ability to offer insight into the self, as well as being a remarkable portrait of a misdeveloped artist whose visionary powers merely blight his life. The Lifted Veil is now one of the most widely read and critically discussed of Eliot's works. Published as a companion piece to The Lifted Veil, Brother Jacob is by contrast Eliot's literary homage to Thackeray, a satirical modern fable that draws telling parallels between eating and reading. Yet both stories reveal Eliot's deep engagement with the question of whether there are 'necessary truths' independent of our perception of them and the boundaries of art and the self. Helen Small's introduction casts new light on works which fully deserve to be read alongside Eliot's novels.