Under Western Eyes (Penguin Twentieth Century Classics S.)

by Allan Simmons (Editor), Allan Simmons (Editor), Joseph Conrad (Author)

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  1996

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  Under Western Eyes traces a sequence or error, guilt, and expiation. Its composition placed such demands upon Conrad that he suffered a serious breakdown upon its completion. It is by common critical consent one of his finest achievements. Bomb-throwing assassins, political repression and revolt, emigre revolutionaries infiltrated by a government spy: much of Under Western Eyes (1911) is more topical than we might wish. Set in tsarist Russia and in Geneva, its concern with perennial issues of human responsibility gives it a lasting moral force. The contradictory demands placed upon men and women by the social and political convulsions of the modern age have never been more revealingly depicted. Joseph Conrad personally felt no sympathy with either Russians or revolutionaries. None the less his portrayal of both in Under Western Eyes is dispassionate and disinterested. Through the Western eyes of his narrator we are given a sombre but not entirely pessimistic view of the human dilemmas which are born of oppression and violence.

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  1975

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  'It was I who removed de P- this morning.' With these chilling words Victor Haldin shatters the solitary, industrious existence of Razumov, his fellow student at St Petersburg University. Razumov aims to overcome the denial of his noble birth by a brilliant career in the tsarist bureaucracy created by Peter the Great. But in pre-revolutionary Russia Peter's legacy is autocracy tempered by assassination; and Razumov is soon caught in a tragic web with Haldin's trustful sister Natalia in spy-haunted Geneva. Their fateful story is told by an elderly Englishman who loves Natalia but plays his part of a 'dense Westerner' to the end.