Tarantula.

by Bob Dylan (Author)

• Used

  Paperback
  2005

  $3.80

  Written in 1966, `Tarantula' is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution.

  `The good samaritan coming in with the words round & round we go tattoed on his cheek / he tells the senator to stop insulting the lawyer.'

  `Tarantula' captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the antic imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny and strange, the poems and prose in this collection reflect the concerns we find in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

  `Tarantula' never made its publication date in Autumn 1966. To the delays added by Dylan's constant revisions was added the greater complication of his motorcyle accident - which left him with still undisclosed injuries and kept the book from publication until 1971. In the interim, it became a cult phenomenon, with `bookleg' editions photocopied from reviewer proofs circulating throughout the musical and literary demi-mondes. Reissued to coincide with the paperback release of `Chronicles Volume 1', `Tarantula' will finally find the wider audience it deserves.

• New

  Paperback
  2004

  $17.00

  WINNER OF THE NOBEL PRIZE IN LITERATURE

  Music legend Bob Dylan's only work of fiction--a combination of stream of consciousness prose, lyrics, and poetry that gives fans insight into one of the most influential singer-songwriters of our time.

  Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.